Rhythmix Art Walk Honors Alameda’s Historic Japantown

Rhythmix Art Walk Honors Alameda’s Historic Japantown1930s
Photo Maurice Ramirez

Rhythmix Art Walk Honors Alameda’s Historic Japantown

Karin Kay Jensen

On September 17, Rhythmix Cultural Works (RCW) collaborated with community organizations to honor Alameda’s historic Japantown Neighborhood with a three-hour art walk. Collaborators included the Buddhist Temple of Alameda, Buena Vista United Methodist Church, and the City of Alameda Free Library and Economic Development and Community Services Department.

Japantown History

The event honored Alameda’s once-thriving Japantown community, which resided in a six-block radius from Eagle to Lincoln Avenues and Park to Oak Streets. The neighborhood began in the early 20th century as an ethnic enclave for bachelors and expanded as the men sent for wives from Japan.

In response to the growing number of immigrants and restrictions on where they could eat or shop, a variety of Japanese-run businesses opened in this district. Nurseries and floral shops supported the Japanese in gardening and landscape work.

However, Japanese Americans faced anti-immigration laws in the 1920s and increasing animosity in 1930s, culminating in the incarceration of all persons of Japanese ancestry from 1942 to the end of World War II. This event largely erased the community from the island. The Japanese Methodist Church South and the Buddhist Temple operated as hostels in 1946 to offer hope for returning Japanese and a promise to revitalize the neighborhood.

Art Walk

The art walk began at the Alameda Free Library parking lot with Rev. Michael Yoshii introducing historical markers that the City plans as a way to reclaim memories of the past. Afterward, performing artists reflected different aspects of Alameda’s Japanese American community.

San Francisco contemporary dance company, ODC/Dance, presented May’s Letters, an original work choreographed by Kimi Okada with Brenda Way and inspired by Okada’s mother’s letters written while in Tule Lake internment camp.

The performance conveyed the everyday trials of life in the internment camp. For instance, scenes depicted the awkwardness of being newlyweds while crammed into shared housing and the difficulty of living out of suitcases without the convenience of shelves on which to store clothes.

Audience member Edward S. commented afterward, “I enjoyed how history was combined with the arts. I didn’t even know there was a former Japantown in Alameda.”

The second performance held at the Buddhist Temple of Alameda reflected the community’s immigrant past with traditional folk dances by Ensohza Minyoshu and TaikoPeace and an ikebana installation by Jane Suiei Naito.

Presentations transported viewers to another place and time, such as with movements depicting the throwing and reclaiming of fishing nets and the playful spinning of straw hats.

One viewer commented that it was his first time inside the Buddhist Temple grounds even though he had grown up in Alameda. Another remarked that she would like to experience more of these cross-ethnic opportunities.

Finally, Maze Daiko, a world music/taiko fusion ensemble, performed at Buena Vista United Methodist Church. Their original music combined taiko with world rhythms and melodies, creating a unique sound influenced by the cultural diversity of the Bay Area.

Future Projects

Three more art walks are upcoming in 2021 and 2022, and on May 20 - 22, 2022, Rhythmix will present “Island City Waterways” at the former Naval Air Station site on Alameda Point. Its theme, “uprooted,” refers to the young draftees, military families, and workers who pulled up roots to follow the war industry, as well as those of Japanese ancestry whom the U.S. forcibly removed to WWII internment camps.

For more information, visit Rhythmix Cultural Works’ website at rhythmix.org